Skip Jutze, 1976September 23, 2008
One Continuous Mistake: The Cardboard Gods Story (So Far)
Part 1 of 3
“Wilker, you got it wrong.” – sg schier, 5.30.08
I have written about Skip Jutze before. But as sg schier pointed out in a May 30 comment attached to that first Skip Jutze post, I got it wrong. But how could I get it right? How could I ever hope to say all there is to say about Skip Jutze?
And I feel that tingling, excited sensation again, the one I get when I know I’m about to get it wrong. It’s not a bad feeling. In fact, it makes me feel alive. I get it when I’m holding one of my baseball cards from my childhood and starting to glimpse the glittering possibilities embedded like a lode of diamonds all over in the card. It’s like that Beatles song. It’s all too much for me to take. The love that’s shining all around you. I know I’ll get it wrong. I can’t possibly say it all. Skip Jutze!
Here he is, a couple years before his appearance on the card I’ve already written about, younger than that doleful sky-gazing mustachioed journeyman on the Mariner card, the younger Skip Jutze looking directly into the camera with the adamantine confidence of an athlete who has been second to none for almost all of his life, a superstar in every sport he played, a hometown legend. The confident look prevails despite the data on the back of the card, the birth date acknowledging that he’ll be turning 30 in May, the .226 lifetime average, the lack of even a single career home run. The front of the card is no different: The lopsided layout cheapens what already must be a card nearly devoid of worth. The empty stands hint at Skip Jutze’s status as a guy to be gotten out of the way early by the Topps photographer, before the regulars swagger onto the field. The polyester rainbow of his uniform seems cheap and desperate, especially since the number on Skip Jutze’s pants, 9, does not match the number, 23, on the bottom of the bat in Skip Jutze’s hands. He is a spare part, just passing through, briefly flickering between the minors and the majors, tossed a leftover uniform and a random bat. And yet, taken all together, the confident look, the paltry stats, the garish uniform, above all the name, Skip Jutze, immune to renown, it all speaks to me not of failure or success but of something beyond that false duality, the sweet stinging tension of life itself, our moment alive, holding with all our might to might, to if, to maybe, to the brink of another bright uncertain day sparkling and sharp with the diamonds of possibilities and mistakes.
“When we reflect on what we are doing in our everyday life, we are always ashamed of ourselves. One of my students wrote to me saying, ‘You sent me a calendar, and I am trying to follow the good mottoes which appear on every page. But the year has hardly begun, and already I have failed!’ Dogen-Zenji said, ‘Shoshaku jushaku.’ Shaku generally means ‘mistake’ or ‘wrong.’ Shoshaku jushaku means ‘to succeed wrong with wrong,’ or one continuous mistake. According to Dogen, one continuous mistake can also be Zen. A Zen master’s life could be said to be many years of shoshaku jushaku. This means so many years of one single-minded effort.” – Shunryu Suzuki, Zen Mind, Beginner’s Mind
I started Cardboard Gods a little over two years ago when I randomly grabbed from my shoebox full of aging cards my one and only Mark Fidrych card, an amazing stroke of luck considering the fact that there’s probably no other player who embodies for me the dreams and joys and disappointments of childhood and its endless shadow than the ebullient curly-haired nutjob rookie, the Bird, who ruled the American League for one slim beautiful year before breaking his wing and dropping almost instantly out of sight. Holding his card, I got that tingling, excited sensation. I was very glad to be feeling it. The worst thing in the world is if you start feeling like you’ve somehow got to a point in your life when you can’t make any more mistakes. For one reason or another you’ve marginalized yourself, removed yourself from the game. I had spent the previous years working on a novel and upon the messy uncertain completion of the book had been unable to publish it. I felt worn out, empty, demoralized, buried, removed. I needed to get back the feeling that I was still alive, that mistakes were still possible. Enter the Cardboard Gods.
After only a week or so of profiles I found myself writing what seemed to be a particularly dull ode to Otto Velez. I wondered if things had run their course. For months after that I’d periodically circle around to that Otto Velez feeling. Certainly, on any rational level the whole project was ludicrous. OK, write a few things about your baseball cards and then move on with real life. But dedicate yourself to it indefinitely?
I have been doing this for a couple of years and I have only covered a fairly small percentage of the baseball cards from my childhood. There are still so many mistakes to be made! I want to infect every card I own with my failings. I want to make a single-minded effort, one continuous mistake. I want to get every single Cardboard God wrong.
(continued in Rowland Office, 1976)